Play Along Piano

Tags

Baroque

Venice

kozmaf27

1:13	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	15	6	3	93%
	14	8	3	3	100%
Violin	14	4	4	5	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	15	6	3	93%
	14	8	3	3	100%
Violin	14	4	4	5	76%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

Schütz: Selig sind die Toten (WIP)

AymericHM

5:04	Est. Play Time
218	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	17	3	7	85%
		16	10	3	8	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	17	3	7	85%
		16	10	3	8	92%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

Euterpe-Suite - Chaconne

OfTheDunes

3:21	Est. Play Time
134	Measures
	1,258Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		21	3	6	7	96%
		21	9	3	6	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		21	3	6	7	96%
		21	9	3	6	89%

Bevale No.1 in G Minor.

Kyle James Catterall

11:47	Est. Play Time
298	Measures
	2,380Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	32	11	10	100%
	31	39	11	8	93%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	32	11	10	100%
	31	39	11	8	93%
Violoncello	28	42	10	8	97%
Viola	24	10	8	7	88%
Harpsichord	22	8	3	7	31%
	21	8	4	7	35%

Magiskt Äventyr

ikbeneeninja

0:55	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	5	7	8	96%
	22	7	4	7	98%
Oboe	14	0	4	6	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	5	7	8	96%
	22	7	4	7	98%
Oboe	14	0	4	6	90%

HWV8A1N4 - "Son di Mirtillo!" recitativo secco

edward.maurath

1:47	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
Mirtillo	10	0	3	3	50%
Hpsi	14	17	4	2	46%
	9	5	2	4	46%
Harp	14	12	4	1	43%
	12	10	3	2	43%
Theorbo	12	6	5	2	21%
Lute	13	10	4	3	18%

E pur'io torno

HoltWasHere

3:52	Est. Play Time
183	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	69	9	8	100%
	22	9	3	6	100%
Voice	15	0	3	8	77%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	69	9	8	100%
	22	9	3	6	100%
Voice	15	0	3	8	77%

While My Guitar Gently Weeps Baroque Style

Carlos M. R. Coelho

3:00	Est. Play Time
92	Measures
	1,395Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cravo	24	19	5	9	98%
	19	10	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cravo	24	19	5	9	98%
	19	10	4	2	100%
Violoncelo	21	5	5	7	100%
Violino	24	8	5	5	82%
	22	3	6	8	88%
Fagote	17	0	2	5	75%
Oboé	12	0	1	7	64%
	11	0	1	5	49%

Classicoroque

The Jaze Master

6:39	Est. Play Time
168	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	23	7	9	100%
		24	10	4	7	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	23	7	9	100%
		24	10	4	7	99%

J. Besozzi Sonata for Basson (PIANO SIMPLIFIED)

manuelnietopi1

2:42	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	20	25	4	5	98%
	18	7	4	5	95%
mini-Basson	15	0	3	5	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	20	25	4	5	98%
	18	7	4	5	95%
mini-Basson	15	0	3	5	100%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
Violas	17	0	5	6	72%
Vln 2	23	0	6	6	72%
Harpsi	17	15	3	7	71%
	20	16	3	4	61%
Israelite Woman	16	0	4	9	70%
Celli	20	0	4	5	59%
Kontrebaß	20	0	4	5	59%
Trumpet	10	0	1	8	51%
Organ with out pedals (Continuo)	16	12	5	5	22%
	15	8	3	3	22%

passepied (GWV 325)

Masua

1:36	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavicémbalo		13	0	2	3	100%
		14	7	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavicémbalo		13	0	2	3	100%
		14	7	3	4	100%

Handel: HWV 57: Samson, "Total Eclipse"

edward.maurath

3:16	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
Cello	17	0	3	6	87%
Violins 1	17	0	1	7	75%
Violins 2	16	0	1	8	75%
Samson	15	0	5	6	72%
CBass	16	0	2	6	69%
Violoncellos	16	0	2	6	69%

"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)

edward.maurath

0:01	Est. Play Time
98	Measures
	1,841Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
Violoncello (Continuo)	18	0	3	8	100%
Soprano as Almirena	13	0	2	11	77%
Violoncelli (Continuo)	17	0	2	7	76%
Contrabassi (Continuo)	16	0	1	7	75%
Violin	17	0	2	8	75%

HWV56N19Y1742 - Messiah - Alto - Then shall the eyes of the blind be opened (1742)

edward.maurath

0:26	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	4	5	100%
Cello	7	0	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	4	5	100%
Cello	7	0	2	4	100%
Contrabass	7	0	2	4	100%
HPSI LH	10	8	3	4	100%
Hpsi RH	11	9	4	4	100%

HWV56N19Y1741 - Soprano - Then shall the eyes of the blind be opened

edward.maurath

0:26	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	7	0	2	4	100%
HPSI LH	13	10	4	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	7	0	2	4	100%
HPSI LH	13	10	4	4	100%
Hpsi RH	12	10	3	4	100%
Soprano	10	0	4	5	100%

Sinfonia in E Flat Major, from "Il Pastor Fido," HWV 8

edward.maurath

1:08	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	17	18	6	4	100%
	18	9	4	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	17	18	6	4	100%
	18	9	4	5	100%
Contrabassi (Continuo)	15	0	3	5	100%
Viola	11	0	2	5	100%
Violins I	17	0	3	5	100%
Violins II	14	0	1	4	100%
Violoncelli (Continuo)	16	0	3	5	100%
Violoncello (Continuo)	16	0	3	5	100%

Bois épais (Amadis - Jean-Baptiste Lully)

Carlos E. Marrero

2:04	Est. Play Time
56	Measures
	1,148Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
Clave I	21	43	5	17	100%
	20	0	2	6	97%
Cello	18	0	3	6	100%
Contrabajo	19	10	3	6	100%
Violas 1	14	0	1	7	100%
Violas 2	13	0	1	6	100%
Violines 1	13	0	2	7	100%
Violines 2	13	0	3	6	100%
Amadis	12	0	2	8	75%
Oboe d'Amore	12	0	5	8	75%
Flauta	13	0	1	5	27%
Oboe	7	0	1	5	27%
Fagot 1	9	0	0	6	25%
Fagot 2	15	0	1	5	25%
Clarinete en Si♭	8	0	1	5	9%